Babyteeth are an up-and-coming hard rock band on the scene, taking catchy as hell pop melodies and putting a whole load of distorted guitars on the top. Here's what we thought of the band's debut EP, 'Knock Yourself Out'...
Britain’s masters of melancholy, My Dying Bride, are back - less than a year after 2020’s fantastic 'Ghost of Orion' - with the 'Macabre Cabaret' EP. The EP is focused on that most compelling of subject matters - the link between fear and sexual arousal, between sweet pain and destructive illusion in unchecked sexuality. Here's what we thought...
The debut release from UK-based stoner-doom quartet Slump is a very promising start, proving that this new band on the scene really can do it all.
“I FEAR NOTHING AND NO ONE EXCEPT THE TEMPTATION TO HOLD BACK.” What would you do if these words rang true in your head every morning? Dream Nails might just have the answer with their self-titled debut full length release.
Brighton punk-rockers LibraLibra bring it all on their debut EP, 'Hail Mary', which sees them showing off all their strengths. A promising debut from a band who refuse to play by the rules.
'Time to Pay' is the second EP from Turkey Vulture, the gritty, bluesy duo from Connecticut who bring together punk, metal, Americana and… sea shanties? This is a bizarre and engaging musical project which you’ll certainly want to be keeping an eye on.
Amaya López-Carromero (aka Maud the moth)’s third album - 'Orphne' - earned her a 10/10 review on Bring The Noise UK a few weeks ago. Having let the dust settle over the release somewhat, we caught up with the neo-classical musician...
In the wake of the protests in the US and political unrest the world over, we at Bring the Noise UK wanted to shine a spotlight on some of the best Black musicians in music. We have been doing this in a series of articles, the first of which highlighted legends throughout history. This second part of the series features some of the greatest Black musicians in the alternative music scene today.
Wind your clocks back to 2013. HAIM had just exploded onto the indie-pop scene with the phenomenal debut, 'Days are Gone' - an album which paved the way for an onslaught of incredible female talent which came in their wake. The album held up throughout the years, making it onto many best-of lists at the end of the decade. 2017’s follow-up, the breakup album 'Something to Tell You', missed a little of the confidence and knowing spark which their debut had, perhaps in favour of some more emotion and sprawling energy. Now back with their hotly-anticipated (and COVID-delayed) third full-length release, how will 'Women in Music Part III' hold up?
Classically-trained esoteric vocalist and pianist Maud the Moth is back with 'Orphne', her follow-up to 2015’s 'The Inner Wastelands'. At once exquisite, terrifying, introspective, haunting - this album deserves your time and attention. Listen to by candlelight, on the next full moon.